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While in the early years Indian painters seemed to concern themselves primarily with the societal, the coming of the modernists and then the contemporaries, a younger group of artists born after independence, variegated India’s artistic outlook dramatically in the following decades. Artists’ assertions became, at different times, nationalist or modernist, socially responsive or intensely subjective, fiercely indigenist or defiantly international, or self consciously traditionalist or fashionably post-modernist.

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